What is the mark that looks like a slur but with straight lines, not curved
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In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.
notation articulation
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up vote
7
down vote
favorite
In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.
notation articulation
add a comment |
up vote
7
down vote
favorite
up vote
7
down vote
favorite
In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.
notation articulation
In "Curtain Call" by John Wasson, the oboe part (and others) includes an articulation mark that I'm not familiar with. It looks like a slur, but the up and down are straight lines, instead of curved.
Could somebody explain to me what I'm supposed to be doing here? I've been playing it as a bit of a bend, but I'm not convinced that's correct.
notation articulation
notation articulation
edited Nov 16 at 17:33
Richard
35.5k677151
35.5k677151
asked Nov 16 at 17:19
SarekOfVulcan
21315
21315
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1 Answer
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This is called the shake! It adds a short grace figure to the transition to the second note like this:
Always start the shake figure by holding the first note slightly.
For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.
On brass the shake is done with the lip.
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1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
9
down vote
accepted
This is called the shake! It adds a short grace figure to the transition to the second note like this:
Always start the shake figure by holding the first note slightly.
For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.
On brass the shake is done with the lip.
add a comment |
up vote
9
down vote
accepted
This is called the shake! It adds a short grace figure to the transition to the second note like this:
Always start the shake figure by holding the first note slightly.
For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.
On brass the shake is done with the lip.
add a comment |
up vote
9
down vote
accepted
up vote
9
down vote
accepted
This is called the shake! It adds a short grace figure to the transition to the second note like this:
Always start the shake figure by holding the first note slightly.
For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.
On brass the shake is done with the lip.
This is called the shake! It adds a short grace figure to the transition to the second note like this:
Always start the shake figure by holding the first note slightly.
For a descending shake you then go up a step, back down to the first note, then to the second note. Notice in your example the second note of each shake has a teepee articulation, so honor that.
On brass the shake is done with the lip.
edited Nov 16 at 17:56
answered Nov 16 at 17:40
Richard Barber
5718
5718
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