Correct Notes for C## in Harmonic Minor Scale












5















Is the following scale correct for C## Harmonic Minor?



C##, D##, E#, F##, G##, A#, B#



I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.










share|improve this question

























  • C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

    – Kilian Foth
    Jan 9 at 7:22






  • 3





    This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

    – Tim
    Jan 9 at 8:05











  • @Tim no doubt an exam question from a grouchy teacher :-)

    – Carl Witthoft
    Jan 9 at 14:45











  • It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

    – Michael Curtis
    Jan 9 at 16:46













  • Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

    – Basti Opa
    Jan 10 at 0:00


















5















Is the following scale correct for C## Harmonic Minor?



C##, D##, E#, F##, G##, A#, B#



I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.










share|improve this question

























  • C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

    – Kilian Foth
    Jan 9 at 7:22






  • 3





    This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

    – Tim
    Jan 9 at 8:05











  • @Tim no doubt an exam question from a grouchy teacher :-)

    – Carl Witthoft
    Jan 9 at 14:45











  • It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

    – Michael Curtis
    Jan 9 at 16:46













  • Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

    – Basti Opa
    Jan 10 at 0:00
















5












5








5








Is the following scale correct for C## Harmonic Minor?



C##, D##, E#, F##, G##, A#, B#



I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.










share|improve this question
















Is the following scale correct for C## Harmonic Minor?



C##, D##, E#, F##, G##, A#, B#



I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.







theory scales accidentals






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited Jan 9 at 1:21









Richard

39.5k689171




39.5k689171










asked Jan 8 at 23:32









Basti OpaBasti Opa

261




261













  • C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

    – Kilian Foth
    Jan 9 at 7:22






  • 3





    This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

    – Tim
    Jan 9 at 8:05











  • @Tim no doubt an exam question from a grouchy teacher :-)

    – Carl Witthoft
    Jan 9 at 14:45











  • It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

    – Michael Curtis
    Jan 9 at 16:46













  • Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

    – Basti Opa
    Jan 10 at 0:00





















  • C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

    – Kilian Foth
    Jan 9 at 7:22






  • 3





    This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

    – Tim
    Jan 9 at 8:05











  • @Tim no doubt an exam question from a grouchy teacher :-)

    – Carl Witthoft
    Jan 9 at 14:45











  • It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

    – Michael Curtis
    Jan 9 at 16:46













  • Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

    – Basti Opa
    Jan 10 at 0:00



















C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

– Kilian Foth
Jan 9 at 7:22





C## is enharmonically identical to D, so you can just compare your notes to the notes in D Harmonic minor to see whether you're right.

– Kilian Foth
Jan 9 at 7:22




3




3





This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

– Tim
Jan 9 at 8:05





This is theory gone crazy! Thank goodness it's only theory. Why would you want or need to write in such an obscure 'key'?

– Tim
Jan 9 at 8:05













@Tim no doubt an exam question from a grouchy teacher :-)

– Carl Witthoft
Jan 9 at 14:45





@Tim no doubt an exam question from a grouchy teacher :-)

– Carl Witthoft
Jan 9 at 14:45













It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

– Michael Curtis
Jan 9 at 16:46







It would be helpful to know if this was purposefully difficult theory question from a teacher, a misunderstanding of enharmonic spelling, or just horrible web site.

– Michael Curtis
Jan 9 at 16:46















Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

– Basti Opa
Jan 10 at 0:00







Actually I just started learning music theory and I checked if everything I understood was correct so far. I transformed my knowledge into a Program and tested if my understaning was complete, so I compared my scales to some music page stuff and found a difference in this spot.

– Basti Opa
Jan 10 at 0:00












1 Answer
1






active

oldest

votes


















8














Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




C♯ D♯ E F♯ G♯ A B♯ C♯


Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




Cx Dx E♯ Fx Gx A♯ Bx Cx


Or, maybe you'd rather start with the C harmonic minor scale:




C D E♭ F G A♭ B C


In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




D F♯ A


And just add a sharp to each pitch:




D♯ Fx A♯





share|improve this answer





















  • 1





    Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

    – Basti Opa
    Jan 9 at 0:54











  • Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

    – Tim
    Jan 9 at 9:53













  • This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

    – Basti Opa
    Jan 9 at 23:56











Your Answer








StackExchange.ready(function() {
var channelOptions = {
tags: "".split(" "),
id: "240"
};
initTagRenderer("".split(" "), "".split(" "), channelOptions);

StackExchange.using("externalEditor", function() {
// Have to fire editor after snippets, if snippets enabled
if (StackExchange.settings.snippets.snippetsEnabled) {
StackExchange.using("snippets", function() {
createEditor();
});
}
else {
createEditor();
}
});

function createEditor() {
StackExchange.prepareEditor({
heartbeatType: 'answer',
autoActivateHeartbeat: false,
convertImagesToLinks: false,
noModals: true,
showLowRepImageUploadWarning: true,
reputationToPostImages: null,
bindNavPrevention: true,
postfix: "",
imageUploader: {
brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
allowUrls: true
},
noCode: true, onDemand: true,
discardSelector: ".discard-answer"
,immediatelyShowMarkdownHelp:true
});


}
});














draft saved

draft discarded


















StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f78463%2fcorrect-notes-for-c-in-harmonic-minor-scale%23new-answer', 'question_page');
}
);

Post as a guest















Required, but never shown

























1 Answer
1






active

oldest

votes








1 Answer
1






active

oldest

votes









active

oldest

votes






active

oldest

votes









8














Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




C♯ D♯ E F♯ G♯ A B♯ C♯


Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




Cx Dx E♯ Fx Gx A♯ Bx Cx


Or, maybe you'd rather start with the C harmonic minor scale:




C D E♭ F G A♭ B C


In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




D F♯ A


And just add a sharp to each pitch:




D♯ Fx A♯





share|improve this answer





















  • 1





    Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

    – Basti Opa
    Jan 9 at 0:54











  • Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

    – Tim
    Jan 9 at 9:53













  • This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

    – Basti Opa
    Jan 9 at 23:56
















8














Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




C♯ D♯ E F♯ G♯ A B♯ C♯


Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




Cx Dx E♯ Fx Gx A♯ Bx Cx


Or, maybe you'd rather start with the C harmonic minor scale:




C D E♭ F G A♭ B C


In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




D F♯ A


And just add a sharp to each pitch:




D♯ Fx A♯





share|improve this answer





















  • 1





    Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

    – Basti Opa
    Jan 9 at 0:54











  • Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

    – Tim
    Jan 9 at 9:53













  • This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

    – Basti Opa
    Jan 9 at 23:56














8












8








8







Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




C♯ D♯ E F♯ G♯ A B♯ C♯


Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




Cx Dx E♯ Fx Gx A♯ Bx Cx


Or, maybe you'd rather start with the C harmonic minor scale:




C D E♭ F G A♭ B C


In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




D F♯ A


And just add a sharp to each pitch:




D♯ Fx A♯





share|improve this answer















Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




C♯ D♯ E F♯ G♯ A B♯ C♯


Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




Cx Dx E♯ Fx Gx A♯ Bx Cx


Or, maybe you'd rather start with the C harmonic minor scale:




C D E♭ F G A♭ B C


In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




D F♯ A


And just add a sharp to each pitch:




D♯ Fx A♯






share|improve this answer














share|improve this answer



share|improve this answer








edited Jan 8 at 23:56

























answered Jan 8 at 23:41









RichardRichard

39.5k689171




39.5k689171








  • 1





    Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

    – Basti Opa
    Jan 9 at 0:54











  • Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

    – Tim
    Jan 9 at 9:53













  • This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

    – Basti Opa
    Jan 9 at 23:56














  • 1





    Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

    – Basti Opa
    Jan 9 at 0:54











  • Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

    – Tim
    Jan 9 at 9:53













  • This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

    – Basti Opa
    Jan 9 at 23:56








1




1





Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

– Basti Opa
Jan 9 at 0:54





Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }

– Basti Opa
Jan 9 at 0:54













Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

– Tim
Jan 9 at 9:53







Love to know why, when there's already 12 quite usable scales available - Dm being one (!) why this comes up as a question. What about the Ebb harmonic minor?! And I bet the notes all have exactly the same pitch, even in just tuning...+1 for 2nd para. alone!

– Tim
Jan 9 at 9:53















This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

– Basti Opa
Jan 9 at 23:56





This is more of a theoretical correctness thing because I'm programming some Music/Piano stuff and I must have all the theory correct. It helps me understand everything better and will be useful for my Piano practice.

– Basti Opa
Jan 9 at 23:56


















draft saved

draft discarded




















































Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!


  • Please be sure to answer the question. Provide details and share your research!

But avoid



  • Asking for help, clarification, or responding to other answers.

  • Making statements based on opinion; back them up with references or personal experience.


To learn more, see our tips on writing great answers.




draft saved


draft discarded














StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f78463%2fcorrect-notes-for-c-in-harmonic-minor-scale%23new-answer', 'question_page');
}
);

Post as a guest















Required, but never shown





















































Required, but never shown














Required, but never shown












Required, but never shown







Required, but never shown

































Required, but never shown














Required, but never shown












Required, but never shown







Required, but never shown







Popular posts from this blog

How to change which sound is reproduced for terminal bell?

Title Spacing in Bjornstrup Chapter, Removing Chapter Number From Contents

Can I use Tabulator js library in my java Spring + Thymeleaf project?